CONSTRUCTED CULTURE SOUNDS LIKE CONCULTURE - ELLIS KING

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view, Constructed culture sounds like conculture, Ellis King

Installation view (detail), Constructed culture sounds like conculture, Ellis King

Installation view (detail), Constructed culture sounds like conculture, Ellis King

Constructed culture sounds like conculture explores the practice of five international artists, their individual approaches to storytelling, formally and conceptually and how the artworks they produce suggest a narratative world with its own set of rules, a constructed environment. When using the term “constructed”, one is prompted to think of a conculture or fictional culture. constructed culture is not synonymous with what social anthropologists define as a cultural construction; a shared understanding of some aspect of the world that exists because the people of a specific culture acknowledge and understand that thing to exist. The exhibition examines the work of five practices using various techniques to illustrate their individual, constructed worlds, which emerge out of their subjective and uncondensed experience. These experiences range from political investigations into a cultural dream, formal breakdowns of architectural elements, romantic journeys into the tropical and wild, to interests in social codes and re-writing the codes of a rollercoaster landscape.
Darren Bader, Mia Marfurt, Adrien Missika, Lydia Ourahmane and Tabor Robak all integrate popular images in their works, in which glimpses of daily life and banal social observations help building narratives where traveling to exotic destinations, computer gaming, formalism, art history and mystic afterlives become the doors to an alternate existence. Such ‘pop’ images are tightly edited in order to shape the story intended to tell, influence its interpretation, and often propagate notions of home, identity or (be)longing.

Constructed culture sounds like conculture - Darren Bader, Mia Marfurt, Adrien Missika, Lydia Ourahmane and Tabor Robak
Ellis King, February 6 - March 14
www.ellisking.net