John Armleder (b. 1948, Geneva) is a singular figure in postwar art. His career spans five decades and synthesizes many of the competing aesthetic developments associated with that period. Such productive friction animates his earliest work with the Groupe Ecart in Switzerland, his many projects informed by his association with the Fluxus movement, and his interest in John Cage’s work in particular. Moreover, his groundbreaking approach to painting incorporates elements of sculpture, installation, design, performance, and radical conceptual provocation. That he has been able to operate on so many fronts at once, approaching each exhibition as an uncompromising and often unpredictable work in and of itself, has made him a seminal artist of his generation worldwide and one of the defining and most characteristic voices in Swiss art since World War II.