I am the body of a human is a self-referential declaration spoken from the voice both of a cyborg and a caveman: the condensed self-awareness of an existentialist being, a self-aware physical device, and a biological entity, all at once. Andrew Birk presents a series of Life Shrouds, an exercise of dirt-on-denim pieces made with the imprint of his own body. Coming from a trajectory of painting, exploring materials in relation to their common use, Birk turns to the most primordial tool, subject and material - the body and what it is surrounded by, what it is made of. A body that is neither a medium, like a brush operating between the gesture and the image, nor a portrait of a subject. These paintings are multiple indexes of one same reference, a physicality in movement: each the unpredictable product of an alive, perfect machine.