As is typical of her practice, this new body of work by Marguerite Humeau began with an excavation of the past. Wielding research as a spade, Humeau dug into the science and myth surrounding the origin of war. The artist corresponded with the archaeologists unpacking Site 117, the earliest recorded mass cemetery, as an entry point. Her discus-sions led her to early depictions of war from Assyria and Egypt where myth and history were foiled by one another. In Riddles, Humeau weaves together the speculative tales of fact and fiction to form a new narrative for the sphinx.