The entire project arises from the will to use architectural laws as a medium to be in touch with the memory, starting from Aldo Rossi's thinking who observed the private person's condition as the only one useful to create buildings. The series presented in the exhibition is therefore based on a dialogue with the Rossi’s monument to Sandro Pertini (Milan 1988-1990). The work is considered both a theater and a meeting place, consisting of a large staircase ending with a square very similar to a theater stage. The fact that this stage is behind the "public" sitting, makes it a space where thoughts are conveyed, a mystical and almost unreal place where, what has been thought and what has been remembered, they recite together. The architectural work consists of the reiteration of a form, a code, an element that emphasizes the theatrical component. Through these features, Rossi's architectural ideas are clearly manifested, making this construction the starting point for recomposing memory through exercise and repetition.